Drawing

Painting

Watercolor

Printmaking

New Media

Workshops

Sculpture

Mixed Media

Professional Practices

Drawing: Form and Movement
Henry Finkelstein

8 Mondays, 1pm - 4pm
Each Session: $400

FALL SESSION 1: September 9 - October 28, 2024
FALL SESSION 2: November 11, 2024 - January 20, 2025

SPRING SESSION 1:, January 27 - March 17, 2025
SPRING SESSION 2: March 31 - May 19, 2025

To draw is to express yourself in a special visual language. Learn how the language enables you to render on a flat page the spaces and volumes that you observe around you. As we work from the live model and other subjects, we consult historical examples to see how artists have used shape, plane, and rhythm.

Awaken yourself to the sensation of seeing a whole page develop at once. Discover the pleasure of making your drawing move, and express yourself in this particular visual language.

Drawing: Anatomy & Artistry
Gabriela Dellosso

8 Mondays, 7pm - 9pm
Each Session: $400

FALL SESSION 1: September 9 - October 28, 2024
FALL SESSION 2: November 11, 2024 - January 20, 2025

SPRING SESSION 1:, January 27 - March 17, 2025
SPRING SESSION 2: March 31 - May 19, 2025

This class will teach the skills necessary to approach figure drawing. Anatomy will be taught and discussed as a tool to create expressive, interesting figure drawings. Artistry will be emphasized. We will analyze the "magic" of old master drawings. Students will also learn basic shading techniques, expression of line, building solid planes, portrait construction, and a variety of other topics, through lectures and examples. Instructor will demo a figure drawing from reference that will be given to students ahead of time, so students can work alongside the instructor if they so wish to do so. All levels are welcome.

Figure Drawing & Painting: A Foundation
Yuka Imata

8 Tuesdays, 10am -1pm
Each Session: $400

FALL SESSION 1: September 10 - October 29, 2024
FALL SESSION 2: November 12, 2024 - January 21, 2025

SPRING SESSION 1:, January 28 - March 18, 2025
SPRING SESSION 2: April 1 - May 20, 2025

Students can choose to work on drawing or oil painting from the live model. Instructor may suggest to work on drawing or painting depends on the students’ progress. The class focuses on the structural landmarks of the human figure by combining the variations of form and plane. We will begin by simplifying light and shadow to create shapes with a step-by-step approach, which will then allow you to build the detail of the body and achieve a likeness with human expression. You will learn to create a three-dimensional effect with depth of space by understanding and controlling your edges.

All levels are welcome.

FIGURES & FACES IN DRAWING
Michele Liebler

8 Tuesdays, 6pm - 8pm
Each Session: $400

FALL SESSION 1: September 10 - October 29, 2024
FALL SESSION 2: November 12, 2024 - January 21, 2025

SPRING SESSION 1:, January 28 - March 18, 2025
SPRING SESSION 2: April 1 - May 20, 2025

This class is for students who want to immerse themselves in drawing the face and figure to heighten their observational skills. Working from live models holding long poses for the class will give students sufficient time to experiment with the varied techniques and materials. Each week we will cover a topic such as structural forms, composition, negative space, and likeness. I will discuss different drawing styles throughout art history and how they influence the drawings we do today.

All levels are welcome, including beginners.

Language of Drawing
Nadia Martinez

8 Wednesdays, 10:30am -12:30pm
Each Session: $330

FALL SESSION 1: September 11 - October 30, 2024
FALL SESSION 2: November 13, 2024 - January 22, 2025

SPRING SESSION 1:, January 29 - March 19, 2025
SPRING SESSION 2: April 1 - May 21, 2025

Through a series of exercises, we will explore the elements of drawing, such as line, shape, and value, as well as various techniques, tools, and drawing mediums: charcoal and graphite. We will draw from still life to improve observational skills.

All levels are welcome.

Advanced Language of Drawing
Nadia Martinez

8 Wednesdays, 1:30pm -4:30pm
Each Session: $400

FALL SESSION 1: September 11 - October 30, 2024
FALL SESSION 2: November 13, 2024 - January 22, 2025

SPRING SESSION 1:, January 29 - March 19, 2025
SPRING SESSION 2: April 2 - May 21, 2025

The course will focus on two main areas: mark-making and composition. Students will work from photographs or the imagination. Through a series of exercises, we will explore the principles of art, various techniques, tools, and dry and wet mediums. Students will be encouraged throughout the course to experiment with different materials and methods, develop a series, and think conceptually.

Some drawing experience is required.

Drawing from Life
Daniel Colon

8 Wednesdays, 7 -9pm
Each Session: $400

FALL SESSION 1: September 11 - October 30, 2024
FALL SESSION 2: November 13, 2024 - January 22, 2025

SPRING SESSION 1:, January 29 - March 19, 2025
SPRING SESSION 2: April 2 - May 21, 2025

Learn to capture dynamic movement, accurate structure, and convincing light and shade in this life drawing class for all levels. We’ll explore the core concepts of figure drawing through short and long poses, using various observational drawing techniques designed to increase our hand-eye coordination, explore our materials, and gain confidence in the figure. All levels welcome.

Life Drawing
Peter Bonner

8 Thursdays, 9am - 12pm
Each Session: $400

FALL SESSION 1: September 12 - October 31, 2024
FALL SESSION 2: November 14, 2024 - January 23, 2025

SPRING SESSION 1:, January 30 - March 20, 2025
SPRING SESSION 2: April 3 - May 22, 2025

We will be drawing together from the Model and bringing to light the issues that arise in each session. The objective is to consider our options as to how we can deal with the issues that arise and to work with these ideas through our drawing and into our painting in the afternoon class (Abstraction: Development of Language and Imagery.)

Drawing the Figure
Eric Michelson

8 Fridays, 3pm - 6pm
Each Session: $400

FALL SESSION 1: September 13 - November 1, 2024
FALL SESSION 2: November 15, 2024 - January 24, 2025

SPRING SESSION 1:, January 31 - March 21, 2025
SPRING SESSION 2: April 4 - May 23, 2025

Understanding the basics of drawing the figure allows you to organize light, shade, gesture, and rhythm into a single expressive whole.
Working individually with the instructor, you’ll be introduced to varied drawing approaches and techniques, and develop your skills and insights.

Open to students of all levels.

Drawing the Nude
Arslan

8 Fridays, 6pm - 8pm
Each Session: $400

FALL SESSION 1: September 13 - November 1, 2024
FALL SESSION 2: November 15, 2024 - January 24, 2025

SPRING SESSION 1:, January 31 - March 21, 2025
SPRING SESSION 2: April 4 - May 23, 2025

Working from a live model, students will create images based on observation, intuition and artistic vision. Anatomy, structure and use of materials will be discussed to help and guide students through the process of creating their own work.
Any levels and materials are welcome.

Introduction to Dynamic Ink Drawing
Chinatsu Seya

8 Fridays, 6pm - 8pm
Each Session: $400

FALL SESSION 1: September 13 - November 1, 2024

SPRING SESSION 1:, January 31 - March 21, 2025
SPRING SESSION 2: April 4 - May 23, 2025

This course will provide you with a complete manual for drawing in ink. You will learn the essential materials, including dip pens and Sumi ink, as well as fundamental inking techniques and methods. The student will explore various forms of the lines, such as cross-hutching and stroke lines, and how to work with diluted ink to create depth and textures on watercolor paper. In this course, the student will draw from black-and-white photographs. At the end of the course, we will complete an ink drawing of portraits, still-lifes, or landscapes of your choice. Also, you will be encouraged to draw on a medium to a large paper during the course if you wish! This is a unique opportunity to explore what ink can do and expand your artistic expression.

Open to all levels.

Painting: Esseltia Elements
Henry Finkelstein

8 Mondays, 9:30am - 12:30pm
Each Session: $400

FALL SESSION 1: September 9 - October 28, 2024
FALL SESSION 2: November 11, 2024 - January 20, 2025

SPRING SESSION 1:, January 27 - March 17, 2025
SPRING SESSION 2: March 31 - May 19, 2025

Explore your potential as you handle the material of oil paint. Learn to stretch canvases, prepare surfaces, and clean brushes correctly.

Become acquainted with the language of painting through different approaches to working from life. Historical examples will be presented. It is often said that painting is drawing with color. But this is not the same thing as drawing and color. Color will be presented as a way of drawing, of putting together a visual statement in paint.

Creating Portraits
Michele Liebler

8 Mondays, 1pm - 4pm
Each Session: $400

FALL SESSION 2: November 11, 2024 - January 18, 2025

SPRING SESSION 1:, January 27 - March 19, 2025
SPRING SESSION 2: March 31 - May 19, 2025

This class will teach students the techniques of drawing and painting a portrait. Working with a live model, we will learn the structure of the human head and facial features.
The class will explore step by step: under drawing, anatomy, grisaille, paint application, proportions, knife painting, mixing flesh tones and working on value scales.
Emphasis will be placed on the importance of mark making and finding your own personal style in painting and drawing the portrait.

Open to all levels. 

Drawing & Painting the Portrait
Gabriela Dellosso

8 Mondays, 4pm - 7pm
Each Session: $400

FALL SESSION 1: September 9 - October 28, 2024
FALL SESSION 2: November 11, 2024 - January 20, 2025

SPRING SESSION 1:, January 27 - March 17, 2025
SPRING SESSION 2: March 31 - May 19, 2025

This course will open with an overview of the instructor’s approach in drawing and painting the portrait.

Topics we will review are how to structure the head using a broad approach, working from large to small shapes. Specific methods to structure the portrait will be explored like the Loomis method and using angles to correct the portrait. As the class progresses we will focus on drawing and paiinting the features of the face. Understanding light and shadow is also an important part of this course and we will focus on how to create successful transitions and gradations in your work.

You may draw or paint in this class.

We will work from a live model and have the same model for two weeks at a time.

All mediums welcomed: Pencil, Charcoal, Oil, Watercolor or Pastel.

Open to all levels.

Color Theory in Oil Painting
Stuart Elster

8 Mondays, 6pm - 8pm
Each Session: $400

FALL SESSION 1: September 9 - October 28, 2024
FALL SESSION 2: November 11, 2024 - January 20, 2025

SPRING SESSION 1:, January 27 - March 17, 2025
SPRING SESSION 2: March 31 - May 19, 2025

This course is an examination of color theory through the practical application of mixing paint on the artist palette. The structure of this course is designed to present the theory of color while helping artists build specific color relationships in the foundational stage of the painting process. Students will negotiate the contradictions between color as theory and its physical realities by working directly with the material of oil paint.

The course will help students to develop their comprehension and control of color wheel organization, made of the three primary subtractive color contrasts- Tone, Hue and Saturation. Study will also include complementary pairs as both opposites and gradients. Mixing scales of color transitions, harmonies and discords. Properties of oil paint; painting mediums, including variations in viscosity, extending or reducing drying time.

We will also study how palette organization translates into pictorial elements of painting through study and analysis of master paintings. How conditions of light, atmosphere, mood, location, time, content and meaning are all extensions of color relationships worked out in the mixing on the palette before the painter applies color to canvas.   

Geared for beginners, but open to students of all levels.

From Figures to Abstraction
Davide Cantoni

8 Tuesdays, 10am -1pm
Each Session: $400

FALL SESSION 1: September 10 - October 29, 2024
FALL SESSION 2: November 12, 2024 - January 19, 2025

SPRING SESSION 1:, January 28 - March 18, 2025
SPRING SESSION 2: April 1 - May 20, 2025

This class will look at and analyze how to go from the real world of observation into abstraction using some simple exercises.

Starting with basic drawing and working into painting ( acrylics preferred) we will also explore materials and their unique possibilities to add to the project.

Taking into account color and composition we will work to produce original works while maintaining a solid conceptual basis for the work.

Beyond the Photo: Studio Landscape Painting from Reference
Daniel Colon

8 Tuesdays, 5pm - 8pm
Each Session: $400

FALL SESSION 1: September 10 - October 29, 2024
FALL SESSION 2: November 12, 2024 - January 19, 2025

SPRING SESSION 1:, January 28 - March 18, 2025
SPRING SESSION 2: April 1 - May 20, 2025

Dive into the art of studio landscape painting as you learn to transform photo references and sketches into captivating artworks. Explore composition essentials, color mixing techniques, and atmospheric effects to infuse your paintings with drama and emotion. Learn to deconstruct and design the landscape, using value and simple shapes to create depth and interest. Daniel will provide live demos and provide individual critiques during the sessions. All levels welcome, some drawing experience preferred.

Portait Painting
Fay Sanders

8 Tuesdays, 6pm - 9pm
Each Session: $400

FALL SESSION 1: September 10 - October 29, 2024
FALL SESSION 2: November 12, 2024 - January 19, 2025

SPRING SESSION 1:, January 28 - March 18, 2025
SPRING SESSION 2: April 1 - May 20, 2025

In this class, we will develop rendering skills to depict the human head and figure, caricature and expression, and the ability to elaborate, expand, and fictionalize sitters. The workshop will introduce practical information about the fundamentals of painting: shape, tone, edge, composition, color, line perspective, and substance. Through slide presentations, discussions, work periods, group and individual critiques, we will develop the ability to describe the visual world in multiple modes.

This workshop is tailored to the individual regarding materials and personal sensibilities: students are encouraged to make work in whatever style they choose.

Open to all levels.

The Figure in Space
Arslan

8 Wednesdays, 9am - 12pm
Each Session: $400

FALL SESSION 1: September 11 - October 30, 2024
FALL SESSION 2: November 13, 2024 - January 20, 2025

SPRING SESSION 1:, January 29 - March 19, 2025
SPRING SESSION 2: April 2 - May 21, 2025

In this course, students will explore the expressive possibilities of the figure in space.
Working in a medium of their choosing, students will be encouraged to develop their own voice and delve deeply into their artistic practice.
The course is built around individual students interest, skill levels, and sensibilities. Students will work from the live model and their own reference materials.
There will be demonstrations as well as frequent and rigorous individual critiques.

All levels of experience are welcome.

Classical Painting Techniques
Eric Michelson

8 Wednesdays, 3pm - 6pm
Each Session: $400

FALL SESSION 1: September 11 - October 30, 2024
FALL SESSION 2: November 13, 2024 - January 22, 2025

SPRING SESSION 1:, January 29 - March 19, 2025
SPRING SESSION 2: April 2 - May 21, 2025

Focus on traditional oil painting techniques that are rarely taught but incredibly useful for painters of all styles. Experiment with underpainting and grisaille techniques, as well as alla prima exercises to improve your understanding of composition, value, and color. The goal will be to explore the rich variety of painting approaches and methods used since the Renaissance. All levels are welcome.

 Supply List for Students
Their own paints and brushes
Linseed Oil (pint/quart depending on the number of participants)
Raw Umber pigment (1lb.)
Whiting (marble dust, 1 lb.)
Small panels

Interpreting Color Through Still Life Painting
Michele Liebler

8 Wednesdays, 3pm - 6pm
Each Session: $400

FALL SESSION 1: September 11 - October 30, 2024
FALL SESSION 2: November 13, 2024 - January 22, 2025

SPRING SESSION 1:, January 29 - March 19, 2025
SPRING SESSION 2: April 2 - May 21, 2025

Learn the process of painting a still life through mixing colors, setting up dynamic compositions and exploring its creative possibilities. Emphasis will also be placed on how students can achieve their own personal vision while focusing on form and three dimensionality simultaneously. We will explore step-by-step techniques from underpainting to applying color.

Painting the Contemporary Landscape
Arslan

8 Wednesdays, 5pm - 8pm
Each Session: $400

FALL SESSION 1: September 11 - October 30, 2024
FALL SESSION 2: November 13, 2024 - January 22, 2025

SPRING SESSION 1:, January 29 - March 19, 2025
SPRING SESSION 2: April 2 - May 21, 2025

Landscape painting has a deep and rich history. This class will help students probe the question of how to paint a landscape that reflects the contemporary world in which we live. Composition will be explored through value studies and sketches, and students will be guided in choosing a subject that resonates with them. Color, mark making, and the layering of both paint and space will be discussed, as will linear and atmospheric perspective as needed. Students can investigate the spectrum of highly representational landscapes to complete abstraction and everything in between.

Any media and level of experience is welcome.

From Figures to Abstraction - Advanced Course
Davide Cantoni

8 Thursdays, 10am -1pm
Each Session: $400

FALL SESSION 1: September 12 - October 31, 2024
FALL SESSION 2: November 14, 2024 - January 23, 2025

SPRING SESSION 1:, January 30 - March 20, 2025
SPRING SESSION 2: April 3 - May 22, 2025

Building on the basic skills and strategies learned in the introductory course (on Tuesday mornings ) this class, while still focused on Painting, will encourage all students to begin to truly develop and sustain their own work.

We will push your work technically and  conceptually. Working in a larger studio will allow students to work on projects for several weeks at a time, and also to create work on larger scale. We will also explore mediums in more depth so has to have a wider range of paints and tools at our disposal. 

This will be a more individually tailored course where the instructor will help you to kickstart, maintain and sustain your work to allow you to delve deeper into your own practice..(Acrylics preferred)

Abstraction: Development of Language & Imagery
Peter Bonner 

8 Thursdays, 12:30pm - 3:30pm
Each Session: $400

FALL SESSION 1: September 12 - October 31, 2024
FALL SESSION 2: November 14, 2024 - January 23, 2025

SPRING SESSION 1:, January 30 - March 20, 2025
SPRING SESSION 2: April 3 - May 22, 2025

We will explore the issues central to abstract painting and the function of drawing in developing one’s own language. This class focuses on developing each artist’s passion for making abstract art through a range of activities, studying in particular how to explore one’s inspiration and ideas via the process and using a language specific to each artist to develop these ideas into coherent images. Artists are encouraged to work from the source material that is personal to them and to engage in a dialogue with contemporary exhibiting artists whose work is relevant to their own.

It is anticipated that each artist will develop a deeper understanding of their own inclinations and their role in creating their artwork with the ultimate goal of developing a coherent body of work.

The class is open to all levels.

Figure Painting
Fay Sanders

8 Thursdays, 1pm - 4pm
Each Session: $400

FALL SESSION 1: September 12 - October 31, 2024
FALL SESSION 2: November 14, 2024 - January 23, 2025

SPRING SESSION 1:, January 30 - March 20, 2025
SPRING SESSION 2: April 3 - May 22, 2025

In this class, we will paint the figure using a range of traditional to contemporary approaches. After starting with quick gestural warm-up poses, we will work on a long pose to be worked on over several classes. Focus will be on painting concepts, such as color mixing, brushstrokes, value, and varying opacity. This course is tailored to the individual regarding materials and personal sensibilities: students are encouraged to make work in whatever style they choose.

Open to all levels.

Introduction to Abstract Painting
Mildor Chevalier

8 Thursdays, 4pm - 7pm
Each Session: $400

FALL SESSION 1: September 19 - November 7, 2024
FALL SESSION 2: November 14, 2024 - January 23, 2025

SPRING SESSION 1:, January 30 - March 20, 2025
SPRING SESSION 2: April 3 - May 22, 2025

In this course you will explore the process of abstract painting with insightful demonstration and experiment with different techniques.Throughout the session, you will learn the different properties of acrylic paint and its mediums. Colors, composition, textures and layers will be examined. Basic color mixing skill is required.Instructor: Mildor Chevalier

Painting People from a Photograph
Fay Sanders

8 Thursdays, 6pm - 9pm
Each Session: $400

FALL SESSION 1: September 12 - October 31, 2024
FALL SESSION 2: November 14, 2024 - January 23, 2025

SPRING SESSION 1:, January 30 - March 20, 2025
SPRING SESSION 2: April 3 - May 22, 2025

In this class, students will work from their individual source material to create portrait paintings. This course is tailored to the individual regarding materials and personal sensibilities: students are encouraged to make work in whatever style they choose. Through slide presentations, discussions, work periods, group and individual critiques, we will develop the ability to describe the visual world in multiple modes.

All levels are welcome. 

Advanced Abstract Painting
Mildor Chevalier

8 Fridays, 4pm - 7pm
Each Session: $400

FALL SESSION 1: September 19 - November 8, 2024
FALL SESSION 2: November 15, 2024 - January 24, 2025

SPRING SESSION 1:, January 31 - March 21, 2025
SPRING SESSION 2: April 4 - May 23, 2025

Participants will gain a deeper understanding about abstract painting and be able to develop their own visual vocabulary and concept. Throughout the course, we will discuss abstract art within different artistic movements and experiment with different media. Students will get insightful technical demonstrations and individual feedback as they develop their body of work. Participants will be able to selected their own media ( acrylic, oil, watercolor, mixed media)

Basic notion about abstract painting required.

The Portrait in Oil
Daniel Colon

8 Fridays, 6pm - 8pm
Each Session: $400

FALL SESSION 1: September 19 - November 8, 2024
FALL SESSION 2: November 15, 2024 - January 24, 2025

SPRING SESSION 1:, January 31 - March 21, 2025
SPRING SESSION 2: April 4 - May 23, 2025

“The thicker your paint — the more your color flows.” - John Singer Sargent

Learn how to use direct painting techniques to resolve an oil portrait while maintaining the immediacy of a sketch. Working from the model, students will learn to use various sketching techniques to explore the structure and likeness of the sitter. As we progress to full value and color, emphasis will be on simplification, value organization, color mixing and full bodied brushwork. Open to all levels.

Figure Painting/ Saturdays
Eric Michelson

8 Saturdays, 10am - 1pm
Each Session: $400

FALL SESSION 1: September 14 - November 2, 2024
FALL SESSION 2: November 1, 2024 - January 25, 2025

SPRING SESSION 1:, February 1 - March 22, 2025
SPRING SESSION 2: April 5 - May 24, 2025

Explore the rich variety of figure painting methods by looking at the underlying structure of the human form and means of achieving a vivid, varied surface that truly brings the form to life. Explore a rich variety of methods, including brushwork, knife techniques, glazing, and anatomy. Develop a critical eye by deemphasizing distracting details to construct a compelling image.

All levels welcome.

Studio Art Essentials: Painting & Drawing
Eric Michelson

8 Saturdays, 1:30pm - 4:30pm
Each Session: $400

FALL SESSION 1: September 14 - November 2, 2024
FALL SESSION 2: November 1, 2024 - January 25, 2025

SPRING SESSION 1:, February 1 - March 22, 2025
SPRING SESSION 2: April 5 - May 24, 2025

This class will impart fundamental techniques of both drawing and painting the human figure. Using a model, students will practice essential techniques of drawing, and those looking to to focus on painting techniques will receive individualized guidance from the instructor throughout the class. 

Projects in Printmaking
Taka Maruno

8 Mondays & Tuesdays, 1pm - 4pm
Each Session: $450

FALL SESSION 1: September 9 - October 29, 2024
FALL SESSION 2: November 11, 2024 - January 21, 2025

SPRING SESSION 1:, January 27 - March 18, 2025
SPRING SESSION 2: March 31 - May 20, 2025

Discover the creative potential of printmaking, starting with Monotypes and Drypoint and moving to more complicated techniques of Color Viscosity inking techniques.  You’ll learn to combine technical skill and expression into works of art.  This workshop is ideal whether you’re a beginner who wants to understand the process of making a print or someone who wants to improve their technique.

School will provide some supplies.

Printmaking Techniques
Taka Maruno

8 Mondays, 6pm - 9pm
Each Session: $400

FALL SESSION 1: September 9 - October 28, 2024
FALL SESSION 2: November 11, 2024 - January 20, 2025

SPRING SESSION 1:, January 27 - March 17, 2025
SPRING SESSION 2: March 31 - May 19, 2025

Discover the creative potential of printmaking, starting with Monotypes and Drypoint and moving to more complicated techniques of Color Viscosity inking techniques.  
You’ll learn to combine technical skill and expression into works of art.  

This class is ideal whether you’re a beginner who wants to understand the process of making a print or someone who wants to improve the technique.

Techniques of Printmaking
Taka Maruno

8 Tuesdays, 5:30pm - 8:30pm
Each Session: $400

FALL SESSION 1: September 10 - October 29, 2024
FALL SESSION 2: November 12, 2024 - January 21, 2025

SPRING SESSION 1:, January 28 - March 18, 2025
SPRING SESSION 2: April1 - May 20, 2025

Discover the creative potential of printmaking, starting with Monotypes and Drypoint and moving to more complicated techniques of Color Viscosity inking techniques.  You’ll learn to combine technical skill and expression into works of art.  

This workshop is ideal whether you’re a beginner who wants to understand the process of making a print or someone who wants to improve the technique.

Cyanotypes
Karen Lindsay

8 Thursdays, 10am - 2pm
Each Session: $450

FALL SESSION 1: September 12 - October 31, 2024
FALL SESSION 2: November 14, 2024 - January 23, 2025

SPRING SESSION 1:, January 30 - March 20, 2025
SPRING SESSION 2: April 3 - May 22, 2025

Create images rather than capture them. Expressive possibilities in historic photographic processes offer a compelling alternative to modern digital prints. Fine art papers, hand applied archival emulsions, and the mercurial effects of chemistry and changing light provide surprises and opportunities for the adventurous image maker. Topics will include cyanotypes, Van Dyke brown, bleaching, toning, paper selection, photograms, and the history of photography. Most materials will be provided.

Open to all levels. 

Experimental Printmaking & Mixed Media
mARTha Bloom

8 Thursdays, 7pm - 10pm
Each Session: $400

FALL SESSION 1: September 12 - October 31, 2024
FALL SESSION 2: November 14, 2024 - January 23, 2025

SPRING SESSION 1:, January 30 - March 20, 2025
SPRING SESSION 2: April 3 - May 22, 2025

Here the making of one-of-a-kind prints along with collage assemblage drawing and painting can be explored and combined.

Careful individual attention is offered to students at any level of experience, and personal work is encouraged.

It’s suggested that one bring imagery, 3D collected fodder, flat textures such as lace string dried flowers et, -printmaking paper

(Arches Cover 22”x30” is favored), and a few colors of water-soluble or water-soluble oil

printmaking inks. The school meets other needs to start.

All levels are welcome.

Printmaking with Linocut Plates
Eiko Nishida

EACH SESSION $400

8 Wednesdays, 9am - 12pm
FALL SESSION 1: September 11 - October 30, 2024
FALL SESSION 2: November 13, 2024 - January 22, 2025

SPRING SESSION 1:, January 29 - March 19, 2025
SPRING SESSION 2: April 2 - May 21, 2025

or

8 Fridays, 9am - 12pm
FALL SESSION 1: September 13 - November 1, 2024
FALL SESSION 2: November 15, 2024 - January 24, 2025

SPRING SESSION 1:, January 31 - March 21, 2025
SPRING SESSION 2: April 4 - May 23, 2025

In this course, we produce multiple prints with different designs with linocut plates and add 1-colour for each design (If you like multiple colours, go for it!). Having a bold black printed outline stands out more with other mediums and the entire artwork becomes crisp and tight. Carving requires good patience during production, but the result is absolutely rewarding. How ink embodies your plate in two-dimensional artwork is a surprise, and it’s one of the beauties of printmaking.

Open to all students. No printmaking experience is needed.

Large Prints
Taka Maruno

8 Fridays, 1pm - 4pm
Each Session: $400

FALL SESSION 1: September 13 - November 1, 2024
FALL SESSION 2: November 15, 2024 - January 24, 2025

SPRING SESSION 1:, January 31 - March 21, 2025
SPRING SESSION 2: April 4 - May 23, 2025

Create your image on a plate larger than full- size paper (22”x30”) that extends far beyond your imagination. Develop individual projects in mediums including monotype, drypoint, linocut, collagraph, carborundum, and chine colle. Just bring your passion and explore new idea. All levels are welcome. Limited seats available

DIY Artist Curatorial Guide
David Dixon

8 Mondays, 1m - 4pm
Each Session: 400

FALL SESSION 1: September 9 - October 28, 2024
FALL SESSION 2: November 11, 2024 - January 20, 2025

SPRING SESSION 1:, January 27 - March 17, 2025
SPRING SESSION 2: March 31 - May 19, 2025

This course will explore what we as artists can do for our art after the art is made. How to get our art out of the studio and into the world. How to get others, other than ourselves, to care about the art that we have made.

 Applying for opportunities, residencies, grants, approaching galleries is certainly a part of this, also promoting on Instagram, we will learn about these. But also, a Do-It-Yourself attitude can take us way beyond established norms. Some have said that art is not art until it is exhibited, so how to take control of this aspect of art production? How to factor into our self conception not only making art but its distribution, its curation? Finishing the painting, or sculpture, or photograph is just the beginning, how then to install it, where and with whom?

We shall explore historical examples of artists who circumnavigated the status quo to get their work seen, most specifically 19th-century painter Gustave Courbet who is considered the first Modern partially due to how he addressed these questions as an artist. We shall visit artist-run spaces in the New York City area and meet the people behind these, often, communal situations. We shall explore commercial and non-profit financing and the legalities that come with self-starter endeavors. How to help ourselves while helping our fellow artists? How to create art as well as a context, a scene, a platform? How, indeed, to make art function not only in the studio but in the world? 

Museum & Gallery Visits
Karen Lindsay

Offsite Class
4 Fridays, 10:30am - 12:30pm
$330

FULL SPRING SESSION:
February 21
March 21
April 11
May 9

This class will explore New York City’s vibrant art scene. Guided visits to a wide range of art galleries and outdoor installations will provide opportunities for discussion and inspiration.

We will visit a different area each week and cover topics from classic to contemporary.

Art Lecture Series
Maurizio Pellegrin

Fridays, 10:30am - 12:30pm
Each Lecture: $20

This series of lectures designed to provide a comprehensive survey across many artistic disciplines. These lectures consider a large and complex field that cover centuries. The scope is to offer a general idea of the major phenomena in Western art. Each lecture is supported by a large amount of visual aids.
Enjoy two hours, dream and capture ideas.

Schedule of Lectures:

Modern and Contemporary Architecture - October 25th, 2024.

Installations - January 10, 2025.

History of Design - January 24th, 2025.

History of Video - February 14th, 2025.

African Artifacts - March 14th, 2025.

Fashion Photography - April 18th, 2025.

History of Gardens - May 2nd, 2025.

History of Cinematography - May 30th, 2025.

Working with Paper & Paper Pulp
Kathryn Cameron

8 Mondays, 2pm - 5pm
Each Session: $400

FALL SESSION 1: September 9 - October 28, 2024
FALL SESSION 2: November 11, 2024 - January 20, 2025

SPRING SESSION 1:, January 27 - March 17, 2025
SPRING SESSION 2: March 31 - May 19, 2025

Learn about the unlimited methods of making works with paper. A variety of techniques and materials will be introduced including both traditional and non-traditional papers, exotic fibers, adhesives, and pigments. Weekly lectures and presentations will explore historical practices, techniques and other artists working in the medium. A large variety of papers and techniques will be explored during the course through instructor demonstrations and student exercises. Students will learn techniques to create both 2 and 3-Dimensional works and will be offered extensive resources for working in this medium.

Advanced Projects with Kathryn Cameron
Kathryn Cameron

8 Tuesdays, 10am - 5pm
Each Session: $450

FALL SESSION 1: September 10 - October 29, 2024
FALL SESSION 2: November 12, 2024 - January 19, 2025

SPRING SESSION 1:, January 28 - March 18, 2025
SPRING SESSION 2: April 1 - May 20, 2025

This is an advanced 8 – week class is for students who have previously attended the Projects in Paper Pulp course and are seeking to deeply explore their artistic practice. The class is designed to develop individual projects and to build on techniques learned in previous courses. During the fall classes, students will begin by developing a project intention to be developed and realized over the course of the school year.

Prerequisite: at least one year of attendance in a prior Projects in Paper Pulp course.

Mixed Media Stories
Mercedes Jelinek

6 Tuesdays, 2pm - 6pm
Each Session: $400

FALL SESSION 1: September 10 - October 29, 2024
FALL SESSION 2: November 12, 2024 - January 21, 2025

SPRING SESSION 1:, January 28 - March 18, 2025
SPRING SESSION 2: April1 - May 20, 2025

This class will explore creating collages that visually represent personal memories and dreams. Students will have the opportunity to delve into their own experiences to create unique pieces of artwork that reflect their individuality and creativity while exploring various techniques for creating collages, including layering, blending, and exploring found materials such as old photographs, magazine clippings, and fabric scraps.

We will begin by reflecting on our specific memories and dreams; then, students can journal and sketch thoughts, themes, and ideas, using them as inspiration for different pieces. Throughout the course, we will discuss the principles of composition, color theory, and texture and how these can create cohesive and visually captivating collages. Students are encouraged to experiment with different techniques and styles while receiving personalized feedback and guidance from the instructor.

Adobe After Effects Crash Course
Davide Cantoni

8 Tuesdays, 2pm - 4pm
Each Session: $400

FALL SESSION 1: September 10 - October 29, 2024
FALL SESSION 2: November 12, 2024 - January 19, 2025

SPRING SESSION 1:, January 28 - March 18, 2025
SPRING SESSION 2: April 1 - May 20, 2025

One of the most used animation and visual effects packages in the world today. A basic and invaluable tool for any artist, After Effects is increasingly used in the realm of fine art. This workshop will introduce students to the possibilities of AE, students will learn how to get started with the basics of After Effects, building projects and be introduced to the various aspects of working with moving images and creating simple animations.

Open to all students with basic knowledge of Photoshop.

Introduction to Adobe Photoshop
Davide Cantoni

8 Thursdays, 2pm - 4pm
Each Session: $400

FALL SESSION 2: November 16 - January 25

SPRING SESSION 1: February 1, 2024 - March 21, 2024
SPRING SESSION 2: April 4, 2024 - May 23, 2024

Adobe Photoshop is a complex graphics, image editing software and paint program and it has become an industry standard and an invaluable tool for artists, designers, and photographers, to edit graphics as well as create and manipulate images. Over the duration of this course, we will learn the basics so that you can complete the most essential tasks of image creation and manipulation, but we will also delve into some of the more advanced features so as to get as much out of the program as possible. Open to all students.

Sculpture: Basic Techniques for the Human Form
Ingo Appel

8 Mondays, 3pm - 6pm
Each Session: $450. Includes clay fees

FALL SESSION 1: September 9 - October 28, 2024
FALL SESSION 2: November 11, 2024 - January 20, 2025

SPRING SESSION 1:, January 27 - March 17, 2025
SPRING SESSION 2: March 31 - May 19, 2025

The human body has always been a source of inspiration to artists, whether the classics, as an abstract, fragmentation, in the round, or as an interpretive narrative. The student will gain an understanding of the fundamental structure of the human body focusing on balance, gesture, and attitude and model this information into an original work.

Working with a live model, the student will learn how to pose the model so as  to create this narrative. Historical context will be provided, especially with respect to contemporary styles. Water based clay will be used and may be kiln fired ( Kiln fee not included).

Open to all Levels

The Elements of Sculpture
Kathryn Cameron

8 Mondays, 6pm - 8pm
Each Session: $400

FALL SESSION 1: September 9 - October 28, 2024
FALL SESSION 2: November 11, 2024 - January 20, 2025

SPRING SESSION 1:, January 27 - March 17, 2025
SPRING SESSION 2: March 31 - May 19, 2025

In this course we will explore the basic principles of making three-dimensional works. We will explore the aesthetic and conceptual possibilities of a variety of materials as well as address the fundamental elements of sculpture; mass, volume, line, color, value, shape, form, space, scale, texture, and balance, Historical practices, techniques and other artists working in the medium will be introduced through lectures, group critiques, and discussions. Artists will be encouraged to work from their choice of subjects, themes and concepts.

Beginners to advanced students are welcomed.

Stone Carving
Carlos Mendoza

8 Tuesdays, 9am - 12pm
Each Session: $400

FALL SESSION 1: September 10 - October 29, 2024
FALL SESSION 2: November 12, 2024 - January 19, 2025

SPRING SESSION 1:, January 28 - March 18, 2025
SPRING SESSION 2: April 1 - May 20, 2025

This class will introduce students to the history of stone carving and its use in contemporary sculpture. The techniques used to shape the stone will be examined, the practical aspects of using and sharpening the tools, selecting the size, volume and type of stone to carve, as well as finishing of the surface of the artwork. Students will have a completed project at the conclusion of the workshop. Students must bring soap stone to work on.

Wood Carving
Carlos Mendoza

8 Tuesdays, 1pm - 4pm
Each Session: $450. Includes wood fees

FALL SESSION 1: September 10 - October 29, 2024
FALL SESSION 2: November 12, 2024 - January 19, 2025

SPRING SESSION 1:, January 28 - March 18, 2025
SPRING SESSION 2: April 1 - May 20, 2025

This class will introduce students to the history of wood carving and its use in contemporary sculpture. The techniques used to shape the wood will be examined, the practical aspects of using and sharpening the tools, selecting the size, volume and type of wood to carve, as well as finishing of the surface of the artwork. Students will have a completed project at the conclusion of the session.

Biomorphism in Clay
Priscilla Fusco

8 Tuesdays, 4pm - 7pm
Each Session: $450. Includes clay fees

FALL SESSION 1: September 10 - October 29, 2024
FALL SESSION 2: November 12, 2024 - January 19, 2025

SPRING SESSION 1:, January 28 - March 18, 2025
SPRING SESSION 2: April 1 - May 20, 2025

A foundational ceramics class where you will create a menagerie of surreal or biomorphic sculptures. You will learn the process, design and the basics of hand-building in either red or white clay, with one-on-one help from your instructor. The course will touch on several ceramic techniques, terminologies, histories, and the core science and chemistry relevant to its process. You will also get updates on ceramic shows in the contemporary art world. Feel free to bring a sketch of what you would like to make on the first day of class.

All levels welcome.

Introduction to Metal Sculpture
Leonor Mendoza

8 Tuesdays, 4PM -7PM
Each Session: $450

FALL SESSION 1: September 10 - October 29, 2024
FALL SESSION 2: November 12, 2024 - January 21, 2025

SPRING SESSION 1:, January 28 - March 18, 2025
SPRING SESSION 2: April1 - May 20, 2025

Unlock your creativity and explore the transformative potential of everyday metal objects in our mixed media workshop, Re-thinking the Ordinary: Metal. This immersive, hands-on class encourages artists of all levels to breathe new life into common metal items, turning them into unique, expressive sculptures. You’ll learn techniques for manipulating and reshaping metal, along with methods to seamlessly integrate it with materials like wood, textiles, and found objects. Our expert instructors will guide you in creatively conceptualizing and designing your pieces while sharing essential practices for working safely with metal and mixed media.

Materials: Please remember to bring the materials you'll need for your project, as well as gloves for safety. Tools will be provided.

Foundations of Sculpture
Elizabeth Allison

8 Tuesdays, 4:30pm - 7:30pm
Each Session: $450. Includes clay fees

FALL SESSION 1: September 17 - November 5, 2024
FALL SESSION 2: November 12, 2024 - January 21, 2025

SPRING SESSION 1:, January 28 - March 18, 2025
SPRING SESSION 2: April1 - May 20, 2025

Working from a live model, students will create an image based on observation, intuition and artistic vision. Anatomy and structure will be discussed to help guide students through the process of creating their own artwork. Any material and any level are welcome. Water clay will be provided.

Introduction to Sculpture
Carlos Mendoza

8 Wednesdays, 1pm - 4pm
Each Session: $450. Includes clay fees

FALL SESSION 1: September 11 - October 30, 2024
FALL SESSION 2: November 13, 2024 - January 22, 2025

SPRING SESSION 1:, January 29 - March 19, 2025
SPRING SESSION 2: April 2 - May 21, 2025

The fundamental issues in sculpture, such as material, process, context, form, scale, structure, and space will be introduced; combined with the elements and principles of design within the context of sculpture. A significant component will be the variety of materials that might be used - clay, wood, metal, and plaster, as well as the review of supplemental materials, including images, videos, and readings.

Introduction to Metal Sculpture
Leonor Mendoza

8 Wednesdays, 4pm - 7pm
Each Session: $450

FALL SESSION 1: September 11 - October 30, 2024
FALL SESSION 2: November 13, 2024 - January 22, 2025

SPRING SESSION 1:, January 29 - March 19, 2025
SPRING SESSION 2: April 2 - May 21, 2025

This class aims to explore the different technical approaches to metal sculpture construction and its conceptual implications throughout history from figurative to abstract.

Students will learn to create metal sculptures by making joints and assemblies using different techniques such as bending, tightening, sewing, riveting, screwing, gluing, spot welding and free-cutting organic and concrete shapes.

Note: Be in comfortable cotton clothing and close-toed shoes. Refrain from flowing clothing.

Sculpture: Unconventional Materials
Nadia Martinez

FALL SESSION 1: September 12 - October 31, 2024
FALL SESSION 2: November 14, 2024 - January 23, 2025

SPRING SESSION 1:, January 30 - March 20, 2025
SPRING SESSION 2: April 3 - May 22, 2025

In collaboration with the instructor, students will learn different ways to represent what they want to say. We will discuss the formal aspects of sculpture and explore ways to use unconventional materials to create sculptures or installations. By studying other artists and what inspires them to do their work, students will learn to be more intentional about selecting materials, forms, and the physical space. Students must bring materials to the first class.

Sculpture: Portrait
Weixian Jiang

8 Thursdays, 4:30pm - 7:30pm
Each Session: $450

FALL SESSION 1: September 12 - October 31, 2024
FALL SESSION 2: November 14, 2024 - January 23, 2025

SPRING SESSION 1:, January 30 - March 20, 2025
SPRING SESSION 2: April 3 - May 22, 2025

OR

8 Saturdays, 1:30pm - 4:30pm

FALL SESSION 1: September 14 - November 2, 2024
FALL SESSION 2: November 1, 2024 - January 25, 2025

SPRING SESSION 1:, February 1 - March 22, 2025
SPRING SESSION 2: April 5 - May 24, 2025

In this course, you will learn how to do a realistic human head from start to finish, exploring the anatomy of the face in-depth, proportions, features, and expressions. You’ll learn the principles of building armatures and handling clay.

All work in clay from the life model.

All levels of experience are welcomed.

Sculpture in Clay
Ingo Appel

8 Mondays, 12pm - 3pm
Each Session: $450. Includes clay fees

FALL SESSION 1: September 9 - October 28, 2024
FALL SESSION 2: November 11, 2024 - January 20, 2025

SPRING SESSION 1:, January 27 - March 17, 2025
SPRING SESSION 2: March 31 - May 19, 2025

OR

8 Fridays, 1pm - 4pm

Each Session: $450. Includes clay fees

FALL SESSION 1: September 13 - November 1, 2024
FALL SESSION 2: November 15, 2024 - January 24, 2025

SPRING SESSION 1:, January 31 - March 21, 2025
SPRING SESSION 2: April 4 - May 23, 2025

Clay is the medium of choice for this class. It has been a part of the creative sculptural process in the arts for over 13,000 years, it is the soil of the earth. You will be introduced of the different types of clay its history and its application to Sculpture. You will be shown and gain experience using the various types of tools used in shaping an object from its plasticity to its final cast or kiln fired form.

The fundamentals of Sculpture, of creating a form in space, will be rigorously addressed and applied to a variety of choices including, but not limited to
the figure in the round, a fragment, torso, foot, hand, or creating the Bas Relief or a composition in the abstract. Lecture and critiques are included.
The class is structured towards the individual, therefore all levels and experience are welcomed. The beginning student will quickly gain comfort and a facility towards an ease of creating. The more advanced artist is invited to create within a narrative of their choice.

Kiln firing fee, if applicable, is not included.
No tools are necessary for the first class

Small Figure Sculpture
Weixian Jiang

8 Saturdays, 10am - 1pm
Each Session: $400

FALL SESSION 1: September 14 - November 2, 2024
FALL SESSION 2: November 1, 2024 - January 25, 2025

SPRING SESSION 1:, February 1 - March 22, 2025
SPRING SESSION 2: April 5 - May 24, 2025

This course will introduce students to the process of making figurative sculpture.

Design and anatomy secrets of the old masters will be shared with artists committed to mastering the human figure. This course takes on the formidable task of how to organize the complexity of the human body as a construction and create figurative art that makes a dramatic and bold statement.

It is a journey through the human form with particular attention directed to mass, volume, structure, and principles of anatomy.

Students will be guided to develop a personal project, in which their individual needs will be considered. Including demonstrations and discussion, this course is structured for beginners and artists with previous experience and aims to provide a base in the necessary techniques of sculpture.

Studio Landscape / Cityscape Painting in Water Media
Bennet Vadnais

8 Mondays, 9am - 12pm
Each Session: $400

FALL SESSION 1: September 9 - October 28, 2024
FALL SESSION 2: November 11, 2024 - January 20, 2025

SPRING SESSION 1:, January 27 - March 17, 2025
SPRING SESSION 2: March 31 - May 19, 2025

In this class, students will learn how to take advantage of the many qualities of water media to create a completed landscape or cityscape painting from start to finish. Students will start the first class by selecting a subject and exploring composition through drawings and sketches. In the second class, the instructor will explain and demonstrate how to create a useful under painting as a foundation for subsequent layering of color. During the remainder of the session, the Instructor will guide the class through the process of bringing their picture to a unified finish with all the desired effects and relevant details. Painting technique, linear and atmospheric perspective, color theory, and art history will be discussed as it relates to individual projects.

Contemporary Watercolor
Elizabeth Allison

8 Tuesdays,1:30pm - 4:30pm
Each Session: $400

FALL SESSION 1: September 17 - November 5, 2024
FALL SESSION 2: November 12, 2024 - January 21, 2025

SPRING SESSION 1:, January 28 - March 18, 2025
SPRING SESSION 2: April1 - May 20, 2025

OR

8 Wednesdays,10am - 1pm
Each Session: $400

FALL SESSION 1: September 18 - November 6, 2024
FALL SESSION 2: November 13, 2024 - January 22, 2025

SPRING SESSION 1:, January 29 - March 19, 2025
SPRING SESSION 2: April 2 - May 21, 2025

In this class students will explore the range of possibilities that watercolor offers for expressive, contemporary painting. Formal qualities such as scale, composition, paint application, contrasting translucency with opacity, and color will be addressed. Content will also be discussed. What makes a painting evocative? Why are we drawn to certain works? Why do we make art? Experimentation will be encouraged by pushing the boundaries of conventional watercolor technique in unexpected directions. An emphasis will be placed on individual artistic growth.

All levels of experience are welcome.

Watercolor Painting
Mark Gonzales

8 Tuesdays, 6pm - 8pm
Each Session: $400

FALL SESSION 1: September 10 - October 29, 2024
FALL SESSION 2: November 12, 2024 - January 21, 2025

SPRING SESSION 1:, January 28 - March 18, 2025
SPRING SESSION 2: April1 - May 20, 2025

This class is designed to give students the freedom to choose their preferred subject matter, whether it's florals, portraits, landscapes, or any other theme. The instructor will work closely with each student to determine the best approach and strategy to start and complete their paintings. Throughout the creative process, the instructor will provide guidance and demonstrate techniques to help students achieve their desired results. Students will work from their own reference photos. Beginners students will learn fundamental techniques to enhance their watercolor skills. All skill levels are welcome.

Bring Life to your Watercolors
Elizabeth O’Reilly

8 Thursdays, 2pm - 5pm
Each Session: $400

FALL SESSION 1: September 12 - October 31, 2024
FALL SESSION 2: November 14, 2024 - January 23, 2025

SPRING SESSION 1:, January 30 - March 20, 2025
SPRING SESSION 2: April 3 - May 22, 2025

Watercolor is a spontaneous, unpredictable and magical medium. Using still-life, landscape and the model as motifs we will try to build up paintings until they embody our own visions. Accidents are important in watercolor, as well as being on the lookout for what might happen. Some of the draw of the medium is its transparency, its fluidity and its means of turning white paper into light. We will develop our understanding of the qualities of various pigments while simultaneously being willing to lose control and open up possibilities for accidental discovery.

Watercolor Techniques
Mark Gonzales

8 Saturdays, 1pm - 4pm
Each Session: $400

FALL SESSION 1: September 14 - November 2, 2024
FALL SESSION 2: November 1, 2024 - January 25, 2025

SPRING SESSION 1:, February 1 - March 22, 2025
SPRING SESSION 2: April 5 - May 24, 2025

This course is suited for the beginner to moderate level watercolorists. The first part of the course will focus on learning watercolor techniques. These techniques will be learned through instructor demonstrations and exercises. In the following sessions, the instructor will lead students in creating watercolor paintings in a variety of subject matter. With the use of reference photos and imagination, the subject matter will include landscape, portrait, animal, figure, and cityscape paintings. Students may also work on their own projects if they choose to. The goal of this course is for the student to gain a greater understanding of the characteristics of this wonderful medium.

Small Paintings & Drawings on canvas
Maurizio Pellegrin

2-day Workshop $350.00 (Intensive Program Students and Hub Program Members 30% discount.)

Two Options:
DAYTIME WORKSHOP - December 2 & 3, 2024

or

EVENING WORKSHOP - December 9 & 11, 2024

This two-nights’ workshop is structured to accomplish several compositions or works in a very small size and format. Participants will paint and/or draw on surfaces with any desired paint and technique.

The school will provide a series of 6 canvases (5x7 and 6x8 inches).

Maurizio will help students to structure form and shape and will propose a vision and conception of the painting that can be adapted to all future projects beyond the workshop. Students will bring their own energy, and Maurizio will take care of everything. Students will complete the workshop with an understanding of how to use this methodology in the future.

Participants will need to bring:
(1) colorants (wet or dry) including paints, inks, charcoal, or pencil,
(2) brushes and,
(3) whatever other material the participant is currently working with.

The workshop is open to all levels and to any technique and concept.

Working with Paper Pulp Workshop
Kathryn Cameron

Saturday/Sunday (Spring, 2025)
2 day workshop, $300

This workshop is an introduction to the endless possibilities of making workswith paper pulp. This 2- day hands-on workshop will provide an opportunity

for students to explore and experience new approaches to working with paper fibers in both the two-dimensional and three-dimensional forms. A

variety of techniques and materials will be explored in each workshop including working with unusual fibers, using adhesives and casting with

paper.

All levels of experience are welcome.

Papermaking tools and some demonstration materials are included.

Making a Maquette for Contemporary Sculpture
Kathryn Cameron

Tuesdays, 6 – 8 pm (Spring, 2025)
4-day workshop, $300

A maquette is a model made as an initial draft to help with planning before starting a sculpture. It is used to help visualize the overall form, determine proportions, add details, and explore technical considerations.

Maquette-making is a fantastic way to experiment with form, scale, and structure without immediately committing to a full-scale piece. Working with inexpensive materials encourages creativity and allows artists to take risks and play with different ideas and techniques. It can benefit those looking to refine their vision and problem-solve any technical challenges before diving into a larger project.

Join us for a this 4 – week workshop where we will investigate the many maquette making techniques used to evaluate the potential of 3-dimensional works.

Materials List
Cardboard, Hot Glue/Glue Gun, Scissors/xacto knife, Cutting Mat, Sketch pad, pencils

White Line Woodcut Workshop 
Judy Mensch

3 Saturdays, 1 pm - 4 pm (Spring 2025)
$250

White line woodcut was developed in the early 1900s in Provincetown, MA, by a group of artists, including Blanche Lazzell, who sought an alternative to traditional Japanese woodblock printing. In this workshop, you will learn the essentials of registration, transferring drawings, and carving linear drawings into Shina plywood woodblocks.

We will use non-toxic watercolor and/or gouache to print color areas, with each color being printed multiple times to achieve transparent or opaque hues. Instead of a press, we will use a Baren and/or a tablespoon for printing, allowing for the creation of textured and painterly prints with multiple colors on one block.

This technique is designed so you can continue your printing at home without needing a press. For the first class, please bring your own drawings, photos, and other reference materials as inspiration for your initial print image.

Open to all levels. 

Art Supplies for First Class: 

• Drawings, photos, and reference source material. This will be used to create your first woodcut drawing, 4 x 7 inches. 

• Ultra Fine Point Sharpie for drawing ideas 

• Tracing paper from McClaine’s or carbon paper 

• ¼ inch Shina Plywood Woodblock 8 x 10 from McClaine’s https://imcclains.com/catalog/blocks/14Shina.html 

• V gouge or an inexpensive woodcut tool set from Lee Valley Hardware, Amazon, or McClaine’s 

• A 12-inch ruler 

• #2 pencil 

• Ballpoint pen 

Metal Patina Workshop 
Leonor Mendoza

1- day workshop, Wednesday, 9 am - 12 pm 
$200

Join us for a hands-on, three-hour Metal Patina Workshop, where we’ll explore the captivating art of patina on metals like aluminum, brass, steel, and copper.
Designed for anyone curious about creative metalwork, this workshop lets you dive into the magic of oxidation and color transformation. You’ll learn to prepare metals with essential surface treatments and apply diverse techniques to achieve striking patina effects. Guided by an expert, you’ll also experiment with unique oxidization methods that produce beautiful, one-of-a-kind finishes. Finally, we’ll cover the critical steps of sealing, preserving, and protecting your work for lasting results. Whether you’re a beginner or experienced in metal arts, this workshop promises a space to experiment, create, and play with colors and textures. 

Material: 

• Metal plates (aluminum, brass, steel, and copper) or any items made from these materials. 

• Scotch Brite 

• Chip brush ½ or 1 inch 

• Latex gloves 

*Chemicals will also be provided. 

Online Tools: Social Media
Nadia Martinez

2-day workshop, 2 hours each day (Spring 2025)
$180

This workshop is designed for artists looking to enhance their social media presence in a practical and effective way to increase visibility.

You will explore the importance of visual storytelling on Instagram to attract your audience and showcase your work. Additionally, you’ll learn how to use Facebook's extensive user base to promote your art and connect with potential collectors.

We will also cover how to enhance your professional presence on LinkedIn and unleash your creativity on Pinterest to drive traffic to your portfolio. By the end of this workshop, you will be equipped with essential tools and strategies to thrive in the ever-evolving social media landscape, helping you elevate your online presence and effectively share your artistic vision with the world. 

Online Tools: Intro to AI for Artists 
Nadia Martinez

2-day workshop, two hours each 
$180

This workshop will focus on using chatbots and Grammarly to enhance your writing skills, generate innovative ideas for your artwork compositions, and support your research efforts.

You will learn techniques on how chatbots can provide instant feedback, brainstorm ideas, assist in researching new concepts, and act as creative partners.
Additionally, discover how Grammarly can help refine your artist statements, bios, and other written content.
Explore how these tools can assist your artistic process, enabling you to communicate your vision more effectively, find inspiration for your next piece, and conduct thorough research to support your creative projects. 

Online Tools: Opportunities for Artists 
Nadia Martinez

2-day workshop, two hours each 
$180

Join our comprehensive 2-day workshop designed to help artists discover and seize opportunities.
This session will guide you through identifying and applying for calls for entries, artist residencies, grants, and more. You will learn techniques for researching and finding opportunities that align with your artistic goals, understand the application process, and how to tailor your submissions. The workshop will also cover the essential materials you need to have ready, including images of your artwork with captions, an artist statement, a bio, and a CV.

Day 1 will focus on an overview of available opportunities, research strategies, and creating and organizing application materials.
Day 2 will delve into crafting compelling applications, selecting and presenting your best work, and providing personalized feedback on your materials.